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Over the course of the past decade, New Jersey's Clams Casino has redefined of Lil B (they met on Myspace), Mac Miller, Kelela, The Weeknd, FKA Twigs, Joji, I wasn't really making too many beats out there though, I was mostly just The drum programming is kind of funny because I was really just.


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Hardly known a year before, Clams Casino finished as the name on He's done work with Lil B, Soulja Boy, A$AP Rocky, Mac Miller and he's also put I just liked the music, I just liked the beats a lot, so I would say that's mostly what it was. Mobb Deep kind of messed with that sound, but ever since that hasn't been.


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He has produced tracks for artists such as A$AP Rocky, Lil B, Vince Staples and Mac Miller. He has also remixed works by Big K.R.I.T., Washed Out, and Lana Del.


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He has produced tracks for artists such as A$AP Rocky, Lil B, Vince Staples and Mac Miller. He has also remixed works by Big K.R.I.T., Washed Out, and Lana Del.


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Maybe we should play this Prodigy record to give people an idea of what you were listening to at the time. What is he doing? It just messes me up, so I try not to really think about that. Everybody give it up for Clams Casino. For the past probably couple of years, just software and a laptop. Some bad things happen, some good things happen. Is that changing as your career progresses? My friend sent me another one of her songs. And you actually ended up producing a track for Havoc and Mobb Deep. From there, that was all I was into. You mean just searching with a search engine and stuff? That was pretty cool, a complete surprise. But just the overall mood, the vibe of it, is kind of creepy and haunting. I always liked to mess around with a lot of instruments. Even before I did, there was some big song that sampled her, so people were doing it before me. He was putting out so much stuff, just out there, really crazy stuff. Did you feel like you could start doing different things production-wise? Were there any occasions when you had to chase down credits or chase down money? If I hear something, I go with it, but I try not to think about artists or who can be on top of it too much. I made it for someone else, probably a few months before I sent it to Lil B. People making remakes and stuff. I was doing it a long time just on my own just to show my friends and listen to myself, but I started about four years ago actually trying to get it out. Yeah, that was crazy how that happened. I just wanna see where I can go with it. So I sent it to his manager. Then I sent it to him and he freaked out. I started hearing them around five years ago. It takes me a long time to finish them.{/INSERTKEYS}{/PARAGRAPH} When you throw stuff out online, anything can happen. Growing up, I played drums and stuff. His name was Nyce. I used to. Definitely, for Wu-Tang, definitely the beats 'cause I had no idea what they were talking about. I never sent it to him and I was sending him a bunch of stuff before that. Colors, green, stuff like that. Right around the time I started making beats this is what I was listening to. Not that one. Is that weird now that the roles are reversed? I think was when I started going online. I think some of his boys showed him stuff on my mixtape, an EP or something, and he liked it a lot. I get used to it, though, just the whole process. Is that frustrating that you make this beat and it just stops being yours? But I got into the process of doing that and I got used to that, following him really close every time he dropped it. I forget the name of it. What is this? The stuff I make myself I try to sound like that. Just to get a variety of different stuff, just a challenge finding new stuff I had never heard. I usually use them. How do you feel about that? Right now I just use software. Tell us a little about your background and upbringing for those who might not know. Yeah, every song I did with Lil B. Not yet. I started making beats just for fun about ten years ago when I was a freshman in high school. Then he started doing stuff on his own, putting solo stuff out on MySpace and started doing really crazy stuff. Yeah, the instrumental. Is that exciting? Yeah, some of them I was surprised that some of the people flipped it and actually came pretty close. But right now is probably a good time to pursue the music thing because last week you had some beats on the number-one album in America. The main thing that I liked was the vocal sample. But not most of them. Yeah, it is a little bit. Yet, at least. I was just trying to see what else I could do with it. Is that liberating as a producer to see someone doing such wild music? I usually take one source. So he shouted me out on Twitter. Now, I guess even before you were pushing your beats that way, what was it that drew you to make music on that level? I was sending stuff to everybody and I sent him that beat that Havoc ended up rapping on. When I started sending stuff out online I was sending to this guy that was rapping with G-Unit and Mobb Deep at the time. I used to use samplers and hardware stuff, but right now, I just use the laptop. This is one of my favorite songs. He loved it and here it is. {PARAGRAPH}{INSERTKEYS}Good afternoon. I thought it was so funny and I kept sending him stuff and it just happened from there. It was just something I always liked to do. After my friend told me about her, I went and looked for some on my own and found some other stuff from her. I started listening to hip-hop when I was about 12, and then I was only listening to hip-hop. They were doing straight, uptempo, really fast stuff, kinda like hyphy. He flipped. Mostly a lot of New York stuff. So I usually end up making a lot of stuff out of the same sample. I first started listening to him when he was in a group called the Pack. It seems it was an interesting time for the way hip-hop beats have exchanged hands and moved around. I just always liked that beat. I had it laying around. Pretty hardcore gangsta rap. Most of the people that I was working with, I would just email and stuff, so I never got in the studio with them or anything. I like the quality of it, the lo-fi stuff, kind of like what I do. Hopefully, something really good happens like that. But every time I sit down, I probably start the beginning of three beats, but not finish them. Actually, he kinda just shouted me out on Twitter. The first stuff he was doing on my beats, just freestyling really ridiculous stuff. A lot of people have said that. I liked the stuff he did before a lot. Like all freestyles and putting out five or six songs a day. I can work in physical therapy if I wanted to. People were talking about it for so long. I just finished school this spring.